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As usual, commented Denis Dutton, editor of , this years winners were produced by well-known, highly-paid experts who have no doubt labored for years to write like this. That these scholars must know what they are doing is indicated by the fact that the winning entries were all published by distinguished presses and academic journals.
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The Bad Writing Contest attempts to locate the ugliest, most stylistically awful passage found in a scholarly book or article published in the last few years. Ordinary journalism, fiction, etc. are not eligible, nor are parodies: entries must be non-ironic, from actual serious academic journals or books. In a field where unintended self-parody is so widespread, deliberate send-ups are hardly necessary.
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This is not to say that much of the writing we would consider bad is necessarily incompetent. Graduate students and young scholars please note: many of the writers represented have worked years to attain their styles and they have been rewarded with publication in books and journal articles. In fact, if they werent published, we wouldnt have them for our contest. That these passages constitute bad writing is merely our opinion; it is arguable that anyone wanting to pursue an academic career should assiduously imitate such styles as are represented here. These are your role models.
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But its not just the English department where jargon and incoherence are increasingly the fashion. Susan Katz Karp, a graduate student at Queens College in New York City, found this choice nugget showing that forward-thinking art historians are doing their desperate best to import postmodern style into their discipline. Its from an article by Professor Anna C. Chave, writing in (December 1994):