It was also the beginning of modern art.

Such indications of contemporary art's multiple methodologies are certainlyat odds with any belief in the ongoing refinement of form – a principleonce central to 'artistic progress'. For the philosopher and critic Arthur Danto,the innovations of art after the 'modernist' era have therefore brought about, ineffect, an 'end' of art. This does not mean, he argues, an end of people makingart, but rather an end of a particular way of understanding art that focused onthe constraints of certain disciplines and mediums. Since pop art, Danto suggests,"There is no special way works of art have to be". It is this plurality ofpossibilities which most obviously gives us clues as to what contemporary art'is' today. Yet how we choose to position ourselves in relation to this pluralityremains one of the most testing questions for those of us hoping to engagewith this era's most challenging 'contemporary' art.

Essay - Museum of Modern Art Ireland

The law should not put up with this type art because it destructive to the public....

What is Modern and Contemporary Art

d) Medium
Artists today continue to question what they are making art from and comeback to querying what art's forms mean. In Box (ahhareturnabout), 1977, JamesColeman presented a 16mm film on a continuous loop with an accompanyingsoundtrack. The film shows disjointed fragments of a bout between twoheavyweight boxers with a soundtrack that combines the imagined thoughts ofone competitor with a low, thumping pulse like a heartbeat. It is a disorientating,profoundly physical experience. The grainy and obscure flicker of the film,when coupled with the jarring jump cuts, becomes part of the meaning of thework. It suggests how art always struggles with the translation of human experienceinto artistic media. Whilst Coleman addresses media that are becomingobsolete in today's increasingly digital world (film reels, slide projectors), manyartists have also returned to one of the oldest artistic mediums – painting – tocontinue to ask questions about it. Elizabeth Peyton, for example, uses imagessnatched from the mass media (press photographs, television, etc.). The imagesare used in such a way that you would never mistake the pictures for photographs;instead they encourage you to think about what it means to put wetpaint on a surface and move it around. This art asks questions about what isemployed in the making and experience of art.

The Modern Essay by Virginia Woolf - ThoughtCo

When Ryman created Core XII in 1995 (fig. 2), he was exploring many of the same strategies that he had pursued in PART 12 but through variant iterations. The work—created with encaustic, pencil, and crayon on cardboard—has a similarly open-ended white boundary, defining a nuanced surface space. But the marks are less discrete: the materials are blurred and shift in gradation. Instead of differentiating, they implicate. The effect is unctuous, almost as if the cardboard holds the imprint of oily skin or has yellowed, its distinctions faded by age. The undulating chromatic spectrum of the work is brought to a halt at the meeting of the nuanced surface and the gallery wall, as Ryman contrasts the ambiguousness of his creation and the clinically regulated surface on which it is hung.

Unfortunately, a stereotype has been linked to modern art that there really is no art involved.
What is my own particular quest for the beautiful? It involves a lot of seeming contradictions.

Essay on What Is Modern Art - 341 Words | Major Tests

c) Cinematic
Many contemporary artists are interested in the moving image. This can involveusing movies for subject matter, but it also means investigating how film andvideo can alter how we think about art and life. Cinema is a culturally potentmedium with particular characteristics as a spectacular experience, as a modeof display, and as a way of representing the world. For example in 24 HourPsycho, 1993, Douglas Gordon slows down and projects Hitchcock's famouslysuspenseful chiller so that it takes 24 hours to run. It is impossible to enjoythe work as we would normally; we enter into a different relationship with thefamiliar work. Our ideas of the passing of time, narrative, memory, and evenour boredom threshold are challenged by Gordon's re-presentation of thefilm. Comparatively, a work such as Twelve Angry Films by Jesse Jones, 2006,brings out an aspect of 'participation' in film culture, but through a process ofcollaborative production (working with community groups) and by creating adedicated public space for screenings in the form of a drive-in cinema. This artasks questions about how the world is presented to us through different media,under what conditions and with what consequences?

This is probably what Jackson Pollock had in mind when he made this claim forhis own modernist art:

Modern Art, Culture and Issues of Class and Gender Essay

He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view – created a new thought for that object.”

the artist has the right to choose their own art
new thought, new labels, new ideas
showcased in a different way - technically innovative
Modern art takes its origin in the 19th century, prompted by the rise of modernism in a global industrial society.

During the peak of their careers their artwork took on very different styles.

Modern Art in New York Essay - 2673 Words | Major Tests

What Kepler found was truly simple, beautiful and harmonious. It was a key insight that led to the discoveries of Isaac Newton and to the inventions of the modern world in which we live. So perhaps Pythagoras was not far wrong.