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Review: Giovanni Battista Lamperti was a highly-regarded Italian singing teacher who was considered to one of the best of his era. Many of Giovanni's students became international opera stars. These vocalises are designed to prepare the soprano voice for performance. "I recommend the daily use of these Exercises, particularly to Soprano and Mezzo-soprano singing a melodramatic repertory; because exercises of this kind promote length of respiration, and delay the deterioration and undue vibration (tremolo) of the voice. Beginners should confine themselves to a regularly limited range, so as not to weaken the medium of the voice and should extend their compass according to individual progress and development." - G.B. Lamperti

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Review: A method that has long been highly regarded among teachers and students alike. Each of these books consists of 3 parts: Part I describes the vocal mechanism and its function briefly and in simple, non-technical language. Part II consists of basic, fundamental vocalises carefully selected to develop the specific voices for which the book is written. Part III presents the important elements of diction in the 5 languages most commonly used in singing: English, Italian, French, German and Spanish.

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Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for mezzo-soprano voices.

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Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. Ten Easy Vocalises and Solfeggios for the baritone voice

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Review: This book consists of three parts: PART I describes the vocal mechanism and its functions briefly and in simple non-technical language. A general knowledge of the instrument often helps the student to clarify a question of tone production. PART II, forming the major portion of the book, consists of basic, fundamental vocalises carefully selected to develop the specific voices for which the book is written. PART III presents the important elements of diction in the five languages most commonly used in singing: English, Italian, French, German and Spanish.

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Review: The Sieber Vocalises: It is important to know why Sieber is so good for the voice. He was a Viennese, Italian-trained voice teacher who knew the importance of vowel alteration and its role in keeping the balance of the registers. The Sieber Vocalises are designed to balance the registers using 8 measure melodies based on the Italian syllables da, me, ni, po, to, la, be. The register balance is achieved in the ingenious way Sieber arranges the syllables. Again, his goal it to allow the space of the open vowels in the closed vowels, and the ring of the closed vowels in the open vowels. Lindquest called these vocalises the 'bridge between vocalizing and singing music'. In my 25 years of teaching, I have never found a singer that the Sieber Vocalises did not help tremendously. 36 Eight-Measure Vocalises for Elementary Teaching for alto voices.