"If you fake the funk, your nose will grow." — Bootsy Collins
Published on October 2nd, 2012 | by JJ
This issue of authorization is of course an old one in political theory–Rousseau worries with the kind of transformation necessary for the social compact as he imagines it to function; it requires the ‘legislator’ to enact it and of course those upon whom he enacts it are different from those his enactment produces.
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I figured that what was sticking for you was ‘authorization.’ I read Zizek as emphasizing that revolution (as well as the outcome of analysis) cannot be authorized in advance–precisely because the destitute subject is not the same as the subject who went into the process/was a victim of it in the first place. And this seems important for politics as we acknowledge that the outcomes of political engagements change those who undertake them in ways we cannot predict and that the more extreme the engagement the potentially more dramatic the change.
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The world famous gallery Centre Pompidou has come to Malaga. Without doubt the Pompidou art center in Paris is one of the greatest homes of twentieth century art. In line with the arresting appearance of the Pompidou in Paris the Malaga collection will be housed in the large glass cube, built with a cultural purpose in mind and which is situated at the corner which joins Muelle Uno and Muelle Dos of Malaga’s newly renovated port. The new Malaga Pop-Up museum houses a fine selection of its French mother.
Film Essays | English 245: Film Form and Culture | Page 3
What an amazing and interesting conversation. I have recently posted my thoughts on the film on my blogsite, thank you for all the conversation, and the introduction of new terms that i now need to read up on.