Taiping Uprising Free Short Essay Example

Ancient China’s highest goddess, Hsi Huang Mu (Queen Mother of the West), found in the classic tale Journey to the West, also expresses aspects of yin/yang beliefs. As yin, this goddess is compassionate, promising immortality; as yang, she is a force who had the power to disrupt the cosmic yin/yang harmony. This pervasive fear that women could bring chaos by upsetting the cosmic harmony was an obstacle for women who aspired to male political leadership. Those who succeeded were accused of breaking one of nature’s laws, of becoming “like a hen crowing.” Years after her reign, this derogatory term was applied to China’s only female emperor, (Tang dynasty, 625-705 C.E.).

Taiping Uprising - China Essay Example

Check out our top Free Essays on The Taiping Rebellion to help you write your own Essay

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The visual is essentially pornographic, which is to say that it has its end in rapt, mindless fascination; thinking about its attributes becomes an adjunct to that, if it is unwilling to betray its object; while the most austere films necessarily draw their energy from the attempt to repress their own excess (rather than from the more thankless effort to discipline the viewer).

Gender Difference in History: Women in China and …

Ultimately, the need to develop a sense of solidarity between male and female peasants as both subjects of oppression resulted in criticizing concerns relating to women alone. Such was the fate of author Ding Ling, the most prominent female writer of her generation, whose attack on the sexist attitudes of her comrades resulted in suppression. The state also failed to deal with opposition to the progressive changes embodied in the Marriage Law of 1950, which granted young people the right to choose their own marriage partners, and women to initiate divorce and to inherit property.

Essay Question: Examine and compare the Taiping Rebellion and the Boxer Rebellion

Dungan Revolt (1862–77) - Wikipedia

The main bibliographies dealing with the Chinese economy from 1949 to 1978 include , a monumental three-volume work. Many of the works listed in Volume 1, the Western-language volume, are general essays that provide a flavor of how analysts in the United States and Europe viewed China’s economic policies and performance, given the limited amounts of data available at the time and the political constraints that limited the information about which economists working in China could write. Probably most useful for an American or European researcher is Volume 3, the Japanese-language volume, which cites works by such prominent Japanese specialists on the Chinese economy as Shigeru Ishikawa and Reiitsu Kojima, with whom most Western economists are least familiar. Volume 2, the Chinese-language volume, includes studies done by specialists on Taiwan and Hong Kong as well as by economists working on the Chinese mainland, but most of these works are subject to the same limitations of lack of data and political constraints on the ability to write objectively. A later bibliography, , focuses mainly on selected works in English that reflected the best analysis of mainly Western economists at the time.

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How The West Was Won | Slate Star Codex

But it’s not just the English department where jargon and incoherence are increasingly the fashion. Susan Katz Karp, a graduate student at Queens College in New York City, found this choice nugget showing that forward-thinking art historians are doing their desperate best to import postmodern style into their discipline. It’s from an article by Professor Anna C. Chave, writing in (December 1994):

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While many artistic figures were perhaps hampered by their own creativity in tackling the relentless rote learning required by the exam system, others succumbed to the temptation to cheat, and suffered the consequences of being caught. The renowned Ming period painter, Tang Ying, resurrected his career through his painting after his hopes of an official position were shattered when he was caught cheating in the exam hall. Before winning influential friends and patrons through his talent, Tang was reduced to poverty as a consequence of his dishonesty.

Essay My Hometown Taiping - …

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By the late nineteenth, early twentieth centuries, serious challenges to accepted beliefs about gender were mounted in both Japan and China. Although concerns about women’s position had been expressed earlier, the concept of women’s liberation became a major motivating force within the era’s nationalist, reform, and revolution movements. Male nationalists initiated the discussion by arguing that an improvement in the status of women was essential to their country’s acceptance by other technologically advanced nations. A core of educated women in both Japan and China joined the call by speaking and writing in public for the first time. Conservative nationalists and traditionalists in Japan and China at different times reacted by mounting long campaigns against any change in gender roles. Ultimately female activists were labeled unseemly, unfeminine, and too western.