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The second setting is the work others and I are doing in the Republic of Ireland and in Northern Ireland. I began work in Ireland in 1992 at the invitation of a small private college in Dublin to support a teacher education initiative which later developed as a Schools Based Action Research Project (see McNiff and Collins, 1994). The Project was generally recognised in Irish education circles as successful (Hyland and Hanafin, 1996; Leonard, 1997), and initial numbers of participating teachers swelled from an intended 30 to over 80 over the three years of its duration. From the beginning I urged the college management to seek routes to accreditation for the teachers’ work. We approached some Irish universities but received no positive response. I therefore enquired among colleagues in British universities whether they would support the initiative. One university in particular was very helpful, and the college eventually franchised a modular programme for professional development which would lead to Masters degrees for participating teachers. After two years, the college managers decided not to continue with the initiative because of their own internal configurations (possibly also for other reasons), and they and I parted company. I then had to decide whether or not to go it alone. The British university and I agreed that I would be appointed as a part-time lecturer to bring the studies of the first group to successful closure. On their graduation (31 people) the university then agreed to allow me to support a second group (45 people). Now I worked as an independent researcher appointed by the university to develop the work.

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The first setting (with which I am less familiar) is in Ontario, where the Ontario College of Teachers (OCT) has embraced action research principles in teacher education, and is offering career-long professional learning pathways to teachers through self study. The College has created itself as ‘a learning organisation which is enquiring into the process of relating standards and professional learning to the creation of a professional learning community which is concerned with the development of required professional knowledge’ (Whitehead, 2000: 30). The pack Action Research: School Improvement through Research-Based Professionalism (Ontario Public School Teachers’ Federation, 1998) shows how the College is implementing commitments and processes relevant to teacher education for the educational benefit of students.

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Though countless Americans do follow the government’s plea, many others insist that these vaccines distributed every year (as well as other year-long vaccines) contain an abnormally high amount of thimerosal, (a mercury-based chemical in vaccines designed to prevent the growth of bacteria) which could eventually lead to autism....

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OAAG online: Ontario Association of Art Galleries website

In 1996, Jeff Wall's Steve’s Farm, Steveston, 1980, part of McIntosh Gallery's collection of over 3,500 works, travelled to the Hirshhorn Museum, the Smithsonian Institution, the Museum of Contemporary Art, Los Angeles, and the Art Tower Mito, Japan, as part of a major solo retrospective. Also in 1996, McIntosh organized Metaphorical Transformations, a solo exhibition of photographs by internationally acclaimed London, Ontario artist Stephen Livick. It traveled to Yokohama, Japan. In 1998, McIntosh and Museum London organized a Murray Favro exhibition curated by Peter White. The catalogue featured essays by Mr. White, Matthew Teitelbaum, Helga Pakasaar and Robert Fones.

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Ontario Public School Teachers’ Federation (1998) Act, Reflect, Revise: School Improvement through Research-Based Professionalism. Ontario, OPSFT.

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In fall 2009, the Canadian premiere of Michael Snow's was organized and presented by McIntosh Gallery as part of LOLA (London Ontario Live Arts Festival). Filmed over days at a cove along the rugged Atlantic coast of Canada, Snow compressed a surprising range of weather events into this silent projection's ten minute duration. The word “condensation” in the title thus refers to both the weather itself and the compression of time within the work. In 2010 McIntosh purchased Condensation. A Cover Story for the collection.