Post-World War II Theatre | Premium Essay Help
The landscape of American theater changed after World War II: playwrights felt the need to experiment with both content and style in order to best express their dissatisfaction with contemporary society. Unlike their modernist forbears, the post-World War II American playwrights sought to enliven the theater with experimental styles and types of characters that had not been previously represented on the stage. August Wilson, for example, wrote exclusively about the African-American experience, and ensured that many of his plays had entirely African-American casts. In the same vein, Mart Crowley explored themes of identity and self-hate in the gay community in his 1968 play The Boys in the Band. Edward Albee, meanwhile, ends The Zoo Story (1959) with a shocking—and shockingly bloody—stabbing. While these playwrights were characterized by originality and innovation, there are common, unifying themes that run through the plays of this era. Most notably, Lanford Wilson’s Lemon Sky, David Rabe’s Streamers, and Caryl Churchill's Top Girls convey a sense of alienation and disillusionment through separate, though equally revolutionary, methods.
Post-World War II Theatre brought in many more forms of theatre
FREE The United States Post World War II Essay
This paper studies and analyses the major factors which contributed to American success both at home and abroad during WWII in addition to world’s view about American participation in war and bombings on Hiroshima and Nagasaki....
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After World War II, the United States procured countless undertakings to insure that no greater cataclysmic event would propel the people of the world into the grasp of a one-world government.