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The landscape of American theater changed after World War II: playwrights felt the need to experiment with both content and style in order to best express their dissatisfaction with contemporary society. Unlike their modernist forbears, the post-World War II American playwrights sought to enliven the theater with experimental styles and types of characters that had not been previously represented on the stage. August Wilson, for example, wrote exclusively about the African-American experience, and ensured that many of his plays had entirely African-American casts. In the same vein, Mart Crowley explored themes of identity and self-hate in the gay community in his 1968 play The Boys in the Band. Edward Albee, meanwhile, ends The Zoo Story (1959) with a shocking—and shockingly bloody—stabbing. While these playwrights were characterized by originality and innovation, there are common, unifying themes that run through the plays of this era. Most notably, Lanford Wilson’s Lemon Sky, David Rabe’s Streamers, and Caryl Churchill's Top Girls convey a sense of alienation and disillusionment through separate, though equally revolutionary, methods.

Post-World War II Theatre brought in many more forms of theatre

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This paper studies and analyses the major factors which contributed to American success both at home and abroad during WWII in addition to world’s view about American participation in war and bombings on Hiroshima and Nagasaki....

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After World War II, the United States procured countless undertakings to insure that no greater cataclysmic event would propel the people of the world into the grasp of a one-world government.

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Al Jolson: Born on May 26, 1886, was never a soldier in the United States Army, but he did his best to support it in four wars. When he was fourteen years old, he tried to enlist during the Spanish-American War; during World War I, he sold Liberty Bonds; and he entertained the troops at home and abroad during World War II and the Korean War. During World War II, Jolson performed at the USOs at home and abroad. During the Korean War, he gave 42 shows in 16 days. Proud of the soldiers, he said, after returning home, "I am going to look over my income tax return to make sure that I paid enough. These guys are wonderful." Shortly after returning from a strenuous entertainment trip to Korea, Jolson had a heart attack and died in San Francisco, on October 23, 1950, and received posthumously the Congressional Order of Merit.

Post World War II Issues in A Streetcar Named Desire by Tennessee Williams.

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“Carmen Jones” was a spectacular hit, opening half a year after “Oklahoma!” It also was the advance guard for a brief but impressive vogue for Broadway musicals that gave new prominence to black performers, sometimes in all-black shows, sometimes integrated with a white company. Broadway had not played host to so many black actors since the early 1920s; the important difference now was that these new shows were written, composed, and produced almost entirely by white artists. Still, the number of black performers in plays and musicals on Broadway in 1946 was more than five times the number before World War II began. In some ways, the increased professional opportunities for African Americans mirrored some slight social changes during the war. Although black army units were still segregated, there was a rise in social consciousness within white America. Some war production jobs, formerly closed to blacks, were opened up; black women also had an opportunity to move out of jobs as domestics into production work; the membership of the NAACP quadrupled; and such polar opposites as Eleanor Roosevelt and Hollywood worked to promote racial tolerance and inclusion between blacks and whites.

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James Stewart entered the Army Air Force as a private and worked his way to the rank of Colonel. During World War II, Stewart served as a Bomber Pilot, his service record crediting him with leading more than 20 missions over Germany, and taking part in hundreds of air strikes during his tour of duty. Stewart earned the Distinguished Flying Cross twice, one of them for piloting the lead plane in a spectacular raid on key aircraft factories in Brunswick, Germany, the Air Medal and a succession of oak leaf clusters, France's Croix de Guerre, and six Battle Stars during World War II. In 1959, while in the USAFR, he was promoted to BrigGenl, the highest ranking actor in military history (but would not allow his war record to be used in movies or as publicity). James Stewart's son, 1st Lieut. Ronald W. McLean was killed in Vietnam in 1969.