Raymond Dixie Definitions (1914-2000) Ballad of Birmingham Booker T.
DAGGER: Another term for the symbol obelisk. See .
DECADENCE, THE: A literary movement in late Nineteenth-Century England, France, Germany, and Spain associated with dark or "amoral" symbolism, focusing on the theme of artifice as opposed to naturalism. In particular, Théophile Gautier, Charles Baudelaire, Oscar Wilde, and Audrey Beardsley are representative writers and poets in this movement.
A good comparative essay is like a multi-layered sandwich:
You will be asked to compare two or more poems in your exam. You will usually be given some of the poems which you must write about, and you might need to choose other poems to compare them with.
Write a History Essay Step jpg
Many of those groups (such as the Anglo-Saxons and the Goths) left very little evidence behind in the way of complete mythologies, but in the Icelandic sagas and Old Norse tradition, we have extensive records of a mythology surrounding the Aesir and Vanir deities in the Poetic Edda. In these legends, the Germanic or Teutonic gods embodied in Old Norse were, as Tom Shippey states, "" (see Drout 449). Many 19th century scholars (and later Tolkien himself) explored whether this worldview was unique to the Norse, or whether it permeated the other branches of the Germanic tribes. Linguistic evidence suggested it did. For instance, the names of cognate deities appear in toponyms in Britain and continental Germany. Thus, the one-eyed all-father Odin in Old Norse has analogues in Woden in Anglo-Saxon and Wotan in pagan Germany, etc. On the other hand, the counter-argument was that similarities in names might not correspond with similarities in worldview. For example, just because Old English had the term Middan-Geard (Middle Earth), and Old Norse had Mithgarthr (Middle Earth), it does not necessarily follow that the Anglo-Saxons had an identical cosmology to the Vikings in which nine different worlds centered on the human one (See Shippey in Drout 449). Other evidence circumstantially was available in what the mythographers called "survivor-genres" (fairy tales, riddles, oral ballads, and nursery rhymes), and philologists argued that skilled investigators could recover or reconstruct missing parts of the lost mythoi from these later texts (449-450).