One story is of a jealous husband, and the other is about blind love.

Judging from the relationship between Desdemona and Othello, the play seems to say that marriage based on an innocent romantic love or profane love is bound to fail.

Did Othello truly love Desdemona? - WriteWork

Honesty and love! Ay, and who but the reader of the play could think otherwise?

Essays on othello love - Admanline

In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.

Love Types in Othello - Essay by Sagesister - Anti Essays

Heilman discusses the ancient’s instinctive reaction to the love-theme of the play: Before coming directly to the forming of the love-theme that differentiates Othello from other Shakespeare plays that utilize the same theme, I turn arbitrarily to Iago to inspect a distinguishing mark of his of which the relevance to thematic form in the play will appear a little later....

The writer explores the themes of incest, adultery, interracial love, and obsession.

SPOILER: college is crazy-expensive

Campbell in Shakespeare’s Tragic Heroes definitively categorizes Othello as a “study in jealousy”: Othello has suffered less in its modern interpretation than any other of Shakespeare’s tragedies, it would seem....

Othello Summary guide at Absolute Shakespeare

Several weeks later in Cypress, Montano and several others are awaiting Othello's arrival by bark or ship. We learn that a terrible storm has largely battered and destroyed the Turkish fleet, which no longer poses a threat to Cypress. Unfortunately there are fears that this same storm drowned Othello as well.

This symbol, the handkerchief, is given to Desdemona by Othello, as a token of his love, and to their new beginnings as husband and wife.

Free Essays Jealousy Shakespeare's Othello Essays and …

Here is Cassio's warm-hearted, yet perfectly disengaged, praise of Desdemona, and sympathy with the 'most fortunately' wived Othello;—and yet Cassia is an enthusiastic admirer, almost a worshipper, of Desdemona. O that detestable code that excellence cannot be loved in any form that is female, but it must needs be selfish! Observe Othello's 'honest,' and Cassio's 'bold' Iago, and Cassio's full guileless-hearted wishes for the safety and love raptures of Othello and 'the divine Desdemona.' And also note the exquisite circumstance of Cassio's kissing Iago's wife, as if it ought to be impossible that the dullest auditor should not feel Cassio's religious love of Desdemona's purity. Iago's answers are the sneers which a proud bad intellect feels towards women, aid expresses to a wife. Surely it ought to be considered a very exalted compliment to women, that all the sarcasms on them in Shakspeare are put in the mouths of villains
Ib.

Blackness is seen on different levels, with Othello being anything from a noble savage to a black devil.

Free Othello Jealousy papers, essays, and research papers.

Roderigo turns off to Othello; and here comes one, if not the only, seeming justification of our blackamoor or negro Othello. Even if we supposed this an uninterrupted tradition of the theatre, and that Shakspeare himself, from want of scenes, and the experience that nothing could be made too marked for the senses of his audience, had practically sanctioned it,—would this prove aught concerning his own intention as a poet for all ages? Can we imagine him so utterly ignorant as to make a barbarous negro plead royal birth,—at a time, too, when negroes were not known except as slaves?—As for Iago's language to Brabantio, it implies merely that Othello was a Moor, that is, black. Though I think the rivalry of Roderigo sufficient to account for his wilful confusion of Moor and Negro,—yet, even if compelled to give this up, I should think it only adapted for the acting of the day, and should complain of an enormity built on a single word, in direct contradiction to Iago's 'Barbary horse.' Besides, if we could in good earnest believe Shakspeare ignorant of the distinction, still why should we adopt one disagreeable possibility instead of a ten times greater and more pleasing probability? It is a common error to mistake the epithets applied by the dramatis personae to each other, as truly descriptive of what the audience ought to see or know. No doubt Desdemona saw Othello's visage in his mind; yet, as we are constituted, and most surely as an English audience was disposed in the beginning of the seventeenth century, it would be something monstrous to conceive this beautiful Venetian girl falling in love with a veritable negro.

Macbeth’s weakness is portrayed through his ambition, whereas Othello’s weakness is portrayed through his jealousy.

Othello Study Guide | GradeSaver

How well these few words impress at the outset the truth of Othello's own character of himself at the end— 'that he was not easily wrought!' His self-government contradistinguishes him throughout from Leontes.