Macbeth, once a great hero falls victim of his ambition for power.

The ambition of three characters in the play MacBeth was a key factor in the outcome of their fate, MacBeth's ambition for the throne of Scotland, Lady Macbeth's ambition for her husband to have power, and Banquo's lack of ambition for himself.

Lady Macbeth was manipulative and overpowering in their relationship.

Lady Macbeth is one of the perfect examples of the total corruption power and ambition can cause.

Essentially Macbeth does not believe this and ignores it.

William Shakespeare's tragedy, Macbeth, is a play about a man's ambition to become king. Since the first part of the witches' prophecy, "All hail Macbeth....

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Many scandals, both historic and current, can be linked to greed, ambition, and abuse of power. Typically, the key figures are motivated by, and are inevitably destroyed by, ambition. This is also the case in Macbeth, where ambition leads to the downfall of the once great character, Macbeth.

Macbeth, once known for his courage and bravery is transformed into a ruthless tyrant.

Quotes & Possible Essay Questions for Macbeth

It is a fancy;—but I can never read this and the following speeches of Macbeth, without involuntarily thinking of the Miltonic Messiah and Satan.

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and shrinks from the boldness with which she presents his own thoughts to him. With consummate art she at first uses as incentives the very circumstances, Duncan's coming to their house, &c. which Macbeth's conscience would most probably have adduced to her as motives of abhorrence or repulsion. Yet Macbeth is not prepared:

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Ever and ever mistaking the anguish of conscience for fears of selfishness, and thus as a punishment of that selfishness, plunging still deeper in guilt and ruin.

Shakspeare's use of detail helps to show the changes in Macbeth through a gradual process.

Shakespeare's Macbeth essay, summary, quotes and …

The connotations behind the word “promis’d” signal Macbeth’s lack of understanding about the witch’s prophecies revealing that human beings are susceptible to manipulation when obsessed with the outcomes.

There is an immeasurable power of evil in one man, and Macbeth fits this line perfectly.

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Ib. How admirably Macduff's grief is in harmony with the whole play! It rends, not dissolves, the heart. 'The tune of it goes manly.' Thus is Shakspeare always master of himself and of his subject,—a genuine Proteus:—we see all things in him, as images in a calm lake, most distinct, most accurate,—only more splendid, more glorified. This is correctness in the only philosophical sense. But he requires your sympathy and your submission; you must have that recipiency of moral impression without which the purposes and ends of the drama would be frustrated, and the absence of which demonstrates an utter want of all imagination, a deadness to that necessary pleasure of being innocently—shall I say, deluded?—or rather, drawn away from ourselves to the music of noblest thought in har-monious sounds. Happy he, who not only in the public theatre, but in the labours of a profession, and round the light of his own hearth, still carries a heart so pleasure-fraught!

“…ignorant of what greatness is promis’d thee”, extracted from Macbeth’s letter to Lady Macbeth.

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Ib. sc. 5. Macbeth is described by Lady Macbeth so as at the same time to reveal her own character. Could he have every thing he wanted, he would rather have it mnocently;—ignorant, as alas! how many of us are, that he who wishes a temporal end for itself, does in truth will the means; and hence the danger of indulging fancies, Lady Macbeth, like all in Shakspeare, is a class individualized:—of high rank, left much alone, and feeding herself with day-dreams of ambition, she mistakes the courage of fantasy for the power of bearing the consequences of the realities of guilt. Hers is the mock fortitude of a mind deluded by ambition; she shames her husband with a superhuman audacity of fancy which she cannot support, but sinks in the season of remorse, and dies in suicidal agony. Her speech: