For category definitions and criteria for inclusion, please .
Barton, M. 1987. Animal Rights. London: Watts .
Pember, G. H. 2003. Animals, Their Past and Future: The Classic Theological Treatise on Animal Rights. Louisville, KY: Cross Reference Imprints.
Broom, Donald. 2014. Sentience and Animal Welfare. CABI.
'Cunt' is known euphemistically as 'the monosyllable', 'the bawdy monosyllable', 'the divine monosyllable', and 'the venerable monosyllable', though, paradoxically, its earliest forms (such as 'cunte', 'cunnus', and 'kunta') were all disyllabic. Germaine Greer's lists a page of 'cunt' synonyms under the heading and Jonathon Green's features a similar selection of vaginal slang terms headed . Artist Jason Rhoades created a deluxe lambskin-bound book/sculpture titled (2004), in which he listed various 'cunt' synonyms.
Scruton, Roger. 1996. Animal Rights and Wrongs. London: Demos.
Lawrence, Elizabeth A. 1990. The tamed wild: Symbolic bears in American culture. In Ray Browne, Marshall William Fishwick, and Kevin Browne (eds.), Dominant Symbols in Popular Culture, 140-153. Bowling Green: Bowling Green State University Popular Press.
Singer, Peter. 1987. Liberation of animal rights. Monist 70(1): 3-14.
The band Cradle Of Filth also exploited the potency of this equation with their t-shirt, emblazoned with the slogan 'JESUS IS A CUNT'. The slogan (also used on bumper-stickers) was parodied by the as "Cradle Of Filth Are Even Bigger Cunts" (2000). The aim was toconstruct a slogan that was both as offensive and as succinct aspossible; by appropriating our culture's most revered icon (Jesus) andequating it with our greatest taboo ('cunt'), they achieved their goal.
Slicer, Deborah. 1991. Your daughter or your dog? Hypatia 6: 108-124.
Thisjuxtaposition of the sacred and the profane - God saying "cunt" -recalls Sigmund Freud's two-fold definition of 'taboo' (both religionand defilement). The intense controversy generated following thissuccinct juxtaposition demonstrates that one plus one can sometimesequal four. In other words, when sacred and profane symbols arecombined, they produce more than the sum of their parts. This was thecase when featured both 'cunt'and Christ, according to Stephen Armstrong: "saying 'cunt' isn't theissue. It's saying 'cunt' and having Jesus in the same programme thatbecomes the issue" (Pete Woods, 2007). Similarly, the musical includes the line "Fuck you God in the ass, mouth, and cunt-a" (Trey Parker, Robert Lopez, and Matt Stone; 2011).