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The Garden Party study guide contains literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.

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As a character Laura Sheridan is endearingly naive. Pampered and petted, she is accustomed to the privileges and comforts associated with the upper middle class and yet she is eager to prove how pragmatic she can be. In comparison to her siblings (who make only brief appearances in the text) Laura is a capable organizer and budding socialite who tends to favor the simpler pleasures of life unlike her mother who is noted for her extravagances. Laura is sympathetic toward the emotions of others and is naturally concerned about the world around her, especially concerning the plight of the lower class. Despite her compassion, Laura’s ignorance in talking to the workmen illustrates how truly naïve she is about how she and her family are perceived by others. Raised in a life of privilege, Laura’s usual concerns about flower arrangements, clothes, and preparing menus seem frivolous but are a necessary part of her life. She is thrilled to be asked to help organize the garden party and is pleased by her family’s and by extension her popularity but there is an underling curiosity about Laura that separates her from her more vapid siblings and mother.

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Laura’s quick dismissal of Mr. Scott’s death reveals a lack of conviction and maturity. Although she tries to do well by others, Laura is still young and easily swayed by her family’s influence, especially her brother Laurie who distracts her with compliments. After their guests depart, Mrs. Sheridan agrees to allow Laura to go down to the Scott’s for a visit. She asks Laura to bring a basket of leftovers but decides against sending flowers. Laura is concerned the Scotts will see the leftovers as an insult (and they should) but what is more concerning about Mrs. Sheridan’s behavior is that she does not send the flowers, revealing an inner selfishness and lack of regard or respect for those beneath her rank. Observant Laura begins to see her mother very differently and once she crosses the road and enters the poverty stricken home of the Scotts, she begins a metaphysical transition from adolescence to adulthood.

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Nor could I think whether what we had done was an ordinary thing to do In this essay I shall be examining the socio-cultural context of The Cement Garden by Ian McEwan (1948 - ).

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Emphasizing her modernistic roots, Mansfield purposely named these characters to denote similarities in their demeanor, the male and female version of the same person, although she gives preference to the female perspective. Note the symmetry in their responses and yet the divide between them. Laura has returned from the Scotts a different person, her brother has not had such an experience (that we know of), and although they are saying the same thing, neither really knows or understands the thoughts of the other. From a larger perspective the Sheridans and the Scotts and the social classes they represent, can never truly understand the viewpoint of the other if they remain ignorant of each other’s lifestyles. Noted for her ambiguous endings, Mansfield intentionally closes The Garden Party with a dissatisfying conclusion to allow room for the reader’s interpretation of events to come.

Essays and criticism on Katherine Mansfield's The Garden Party - The Garden Party, Katherine Mansfield

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This is especially interesting when we address the question of Matthew 20:15, in the Parable of the Eleventh Hour, where the employer asks "Or am I not allowed to do what I wish with mine own?" Of course, socialists, labor lawyers, and Nelson are all going to answer "No!" to this question, since they don't believe in private property or voluntary association and contract; but the denial is more accute with Nelson, where abstraction from "numerical determination of persons" removes goods and interests, even one's own body, from "mine own." Morally, for Nelson, there is no , "mine own." So there is no individuality left in Nelson's moral universe, and this is a formula for nothing less than totalitarianism.