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The courage which has made them dare trust to their own inspirations, either in thought or in language, as well as the modesty which has saved them from (what stops the progress of most aspirants in a very early stage) the misfortune of being too easily pleased with their own performances—have been learned in the literary metropolis of the nation, and in contact with the direct influence of its leading minds.Subtract from the British empire London and Edinburgh, and all or nearly all who are born to independence; leave at the summit of this of the social pyramid the merchants of Liverpool, the manufacturers of Manchester, the bar of London spread over the whole of England, and the physicians, attorneys, and dissenting clergy: then raise the working classes to the enjoyment of ample wages—give them universally the habit of reading, and an active interest in public affairs; and you will have a society constituted almost identically with that of the United States, and the only standard with which this last can either be likened or contrasted. The present government of France has been called America is a republic peopled with a provincial middle class.The virtues of a middle class are those which conduce to getting rich—integrity, economy, and enterprise—along with family affections, inoffensive conduct between man and man, and a disposition to assist one another, whenever no commercial rivalry intervenes.

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Exploring the ways in which artists have been influenced by their predecessors, In Homage goes beyond a comparison of imagery to look at the affinity between the artists’ stylistic approach and painterly process.Last exhibited in London at the Tate Gallery in 1962, Francis Bacon’s Study for a Pope III, 1961 returns to the subject of Velázquez's Portrait of Pope Innocent X, 1650, a theme first explored by Bacon in 1950 of which he wrote: “I think it is one of the greatest portraits that has ever been made, and I became obsessed with it.” Bacon originally conceived this work as part of a polyptych of six paintings.

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Beauty is as summerfruits,) which are easy to corrupt, and cannot last;and for the most part it makes a dissolute youth,and an age a little out of countenance; but yet certainly again, if it light well, it maketh virtue shine,and vices blush.This complete text of Essays of Francis Bacon is in the public domain.

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Francis Bacon (artist) - Wikipedia

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