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I now think that I should have discussedthe increasing focus on character attention as somewhat parallel to the concurrentshift from expository to dialogue titles. In discussing intertitles in CHC,I emphasized the move during the 1910s from a dependence primarily on expositorytitles to one on dialogue titles (pp. 183–89). One purpose of this shift wasto make the narration of the action less overt, making the story informationseem to come from the characters rather than from a commenting, omniscient non-diegeticsource.
Selected essays on James Joyce's "Araby" - The Literary …
From the vantagepoint ofmaturity the narrator can realize that the aunt and the uncle perhaps once possessed an awareness of theromantic, an awareness that hassince been clouded by the drabness of North Richmond Street.