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Be sure they were grotesque....There were arabesque figures with unsuited limbs and appointments....madman fashions...much of the beautiful, much of the wanton, much of the , something of the terrible, and not a little of that which might have excited disgust."

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As she began to research the author's life and literature, Martha discovered that a horrible injustice had occurred, and she became determined, like many others, "to set the record straight." "This mission" has lead to ten years of research and the creation of her web site, .

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No pestilence had ever been so fatal, or so hideous....There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution.

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The scarlet stains upon the body and especially upon the face...shut out [its victim] from the aid and from the sympathy of his fellow men....[T]he whole seizure, progress, and termination of the disease, were the incidents of half an hour."

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This wall had gates of iron." The Prince had the bolts of the gates welded which left neither means "of ingress or egress to the sudden impulses of despair or of frenzy from within."

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Yet Poe himself openly used allegory, as in "The Haunted Palace" verses which he inserted into his story, "The Fall of the House of Usher," as well as in "The Masque of the Red Death." (See Style for allegorical interpretation.)

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All these and security were within.

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Educational users and researchers must use properdocumentation procedures, crediting both the publisher, ChristofferNilsson and the author, Martha Womack.