Soundtrack available essays on film and popular music

:In particular, Kathryn Kalinak, Settling the Score: Music and the ClassicalHollywood Film (Madison:University of Wisconsin Press, 1992); Jeff Smith, The Sounds of Commerce (NewYork: Columbia University Press, 1998); James Buhler, David Neumeyer, and RobDeemer, Hearing the Movies: Music and Sound in Film History (New York:Oxford University Press, 2009)

Essays on film and popular music

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Twenty-five years later, and after studying a lot more movies from the era, Istill think that we are dealing with a collective invention. It’s an academicstyle without much of a canon. In this respect (and to revise the formulationin our proposal), classical filmmaking isn’t a well-punctuated group stylelike Viennese classical music or Impressionist painting. It develops more inthe manner that visual perspective, or, to take a musical analogy, Western tonalitydid. Certainly there were powerful filmmakers who took the received style infresh directions, and sometimes those creators influenced others. But in itstotality, the classical Hollywood style is an instance of an “art historywithout names.” It is the result of many routine iterations, accompaniedby both striking innovations and minor tweaks. It was maintained for decadesby a host of creators both major and minor, famous and anonymous. Gathering datafrom films en masse seems to suit a collective trend.

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Throughout this essay I will be commenting on the filming techniques that Luhrmann uses and what affects these have on the audience, also I will be analyzing how the film is similar and different to typical Hollywood Musicals....

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Soundtrack Available: Essays on Film and Popular Music | Pamela Robertson Wojcik, Arthur Knight, Rick Altman, Priscilla Barlow | download | B–OK

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Soundtrack Available: Essays on Film and Popular Music by Professor Pamela Robertson Wojcik (Editor), Professor Arthur Knight (Editor) starting at

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