Thirsty: The Women of Bram Stoker's "Dracula" AmandaOfHappiness.

Stoker gives contrasting views of this notion in “Dracula.” While the main characters, Lucy and Mina, are clearly opposite in personality, they are both portrayed as unequal, defenseless objects that are to be protected and desired....

Bram Stoker's Dracula: A Reflection and Rebuke of Victorian ...

Bram Stoker uses his personal styles to create a creature of Transylvanian lore known as Dracula.

Free Bram Stoker Dracula Essays and Papers


Stoker, Bram. Dracula, intro. Leonard Wolf, Signet Publishers, 1997.

Higashi, Sumiko. Virgins, Vamps, and Flappers. St. Albans, Vermont: Eden Press, 1978.

Stevenson, John. "A Vampire in the Mirror The Sexuality of Dracula." P.M.L.A. 103 (1988): 139-47.

Hogan, David. Dark Romance. Sexuality in the Horror Film. Jefferson, North Carolina: McFarland and Company, 1986.

Murphy, Michael J. The Celluliod Vampires: A History and Filmography, 1897-1979. Ann Arbor: Pierian Press, 1979.

Mayne, Judith. "Dracula in the Twilight: Murnau's Nosferatu." German Film and Literature: Adaptations and Transformations. Ed. Eric Rentschler. New York: Menthuen, 1986. 2539.

Nosferatu. Dir F.W. Murnau. With Max Schreck Gustav Van Wangenheim, and Greta Schroeder. Thunderbird, 1922.

Free Bram Stoker Dracula papers, essays, and research papers.

Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities....

In Bram Stoker's masterpiece, Dracula, the infamous monster affects each reader in a different way.

Sexuality In Bram Stoker s Dracula Essay - 1075 Words


Gisborne, Thomas. "Enquiry into the Duties of the Female Sex." Early Liberal Thought and Practice. 100-106.

Mill, J.S. And Harriet Taylor. "Essays on Marriage and Divorce." Early Liberal Thought and Practice. 106-121.

Stoker, Bram. Dracula. (Revised Edition). New York: Penguin Classics, 2003.

Among the creators of the famous protagonists is, Bram Stoker, the creator of Dracula.

Essays on dracula bram stoker 1560 ca

Bram Stoker was born on 8 November 1847 in Clontarf, then still a small village about three miles from Dublin’s city centre, although it was fast becoming a suburb by the time of Stoker’s appearance. His family was solidly middle class, though upwardly mobile, and possessed a healthy sense of ambition. His father Abraham Stoker senior was a respected, hard-working civil servant, his mother, Charlotte Thornley reform-minded and industrious—and possibly ‘superstitious’, full of horror stories about the effects of the cholera epidemic in 1830s Sligo where she grew up. Stoker had six brothers and sisters—William Thornley, Matilda, Thomas, Richard, Margaret and George.

Front cover to the first edition of Bram Stoker's novel Dracula, 1897.

Feminism In Bram Stokers Dracula Essay - Anti Essays

Stoker continued his work with Irving until 1904 when, due to serious financial difficulties which some (unfairly) blamed on Stoker, the Lyceum was put into receivership. The death of Irving the following year devastated Stoker, and propelled him to toil on what was then considered his most important work, a two volume Personal Reminiscences, now generally considered a kind of hagiography. Stoker was in serious need of money at this stage, and became a writer full-time, managing to write many more novels after Dracula, of uneven quality, though some of them deserving much more recognition than they receive now. Many of them are basically romances, including Miss Betty (1898), The Man (1905), and Lady Athlyne (1908), and lean heavily on Stoker’s intense belief in sexual and gender complementarity and ‘soul marriage’, for which ideas he draws heavily on Victorian and Edwardian sexology. The Mystery of the Sea (1902), The Jewel of Seven Stars (1903), and The Lady of the Shroud (1909), are much better, in part because they return Stoker to the Gothic mode in which he was at his best. His last novel, The Lair of the White Worm (1911), is widely accepted as being one of the barmiest books ever written. Based on the legend of the Lambton Worm, the plot involves a series of attacks by an ancient White Worm on the Derbyshire coast, but involves a confusing number of subplots and characters, including a Mesmer-trained kite-flying locality-hypnotising aristocrat Edward Caswall; Oolanga, a crazed African servant; a series of meandering and distracting archeological and comparative mythological digressions; a mongoose infestation; and the economic opportunities opened up by mining. In many ways White Worm is a synthesis of the themes and issues of Stoker’s entire writing career, dramatized in its central conflict between an athletic and virtuous male and feminine serpentine evil. The novel doesn’t make much sense, but has remained in print, in abridged forms, since publication which suggests it possesses a power greater than an outline of its ridiculous plot would indicate .

Such a transformation can be seen in Francis Ford Coppola’s 1992 production of Bram Stoker’s Dracula.

FREE Essay on Bram Stoker's Dracula - Direct Essays

Though her essay, (a lecture originally given to the German's Women Medical Association in November 1930), does not mention Dracula directly, the points that she argued can be transposed onto Bram Stoker's Dracula.