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Essays on Native Modernism: Complexity and Contradiction in American Indian Art, which grew out of a symposium held by NMAI in May 2005, explores the legacies of George Morrison (Grand Portage Band of Chippewa, 1919–2000) and Allan Houser (Warm Springs Chiricahua Apache, 1914–1994)—two giants of 20th-century art—as well as investigates the basis of a Native modernism by eliciting a broad discussion about the critical perspectives and practices of Native artists across North America. Also examined is the place of Native modernism in the canon of American art and the currents of influence between them.

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This catalogue showcases the work of Chippewa artist George Morrison (1919–2000), who was born and raised near the Grand Portage Indian Reservation in Minnesota. Best known for his landscape paintings and wood collages, Morrison employed a variety of media—paint, wood, ink and metal, paper, and canvas—and developed a unique style that combined elements of cubism, surrealism, and abstract expressionism. His artwork typically does not include overt references to his Indian heritage, which stirs debate about what it means to be a Native American artist. This title explores the artist’s identity as a modernist within the broader context of twentieth-century American and Native American art.

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The enthralling scope of Native American dance—from the Fancy dancers of the powwow circuit and the traditional keepers of sacred Indian ceremonies to the contemporary flourishes of modern Indian choreographers—is explored in this enlightening collection of essays by leading Native and non-Native scholars and practitioners of dance in the Indian community. A gathering of prominent voices, all marked by their passion for the dance, along with a wealth of illustrations, gives Native American Dance: Ceremonies and Social Traditions a creative spirit grounded in authoritative scholarship.

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In Before and after the Horizon: Anishinaabe Artists of the Great Lakes, five renowned scholars of Native art show how historical and contemporary Anishinaabe artists have expressed the spiritual and social dimensions of their relations with the Great Lakes region. Illustrated with nearly 100 color images, the book features works by modern masters such as Norval Morrisseau, George Morrison, and Blake Debassige as well as traditional objects such as painted drums, carved containers, and bags embroidered with porcupine quills.

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