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Soon another group turn up, led by Jack, who has Alpha male bloodied onto his face; Roger, a thug of a boy; and a cute little blond moppet called Perceval who only has his teddy for company.
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Golding’s experiment with human nature is clinically precise. A plane comes down on a desert island and the only survivors seem to be a group of boys (and, yes, the plot does appear to have been stolen by Sky’s hit TV series, Lost).
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Golding’s controversial story makes an ideal set text. It’s a psychologist’s, and exam-setter’s, dream. There are so many theories, so many strands to discuss. Where do you begin?
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But I wouldn’t like to be in their playgrounds today in the aftermath to this exposure to gang warfare and anarchy. It’ll give them way too many ideas.
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Every act of violence and savagery was met with appreciative noises. And they particularly liked the passing finesse of Jonathan Holby’s fluidly choreographed game of find the conch shell.
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Well, I’d begin, if you haven’t already, by getting a seat to watch Nigel Williams’ spellbinding adaptation. Director Timothy Sheader has elicited top-flight performances from a young, and mostly inexperienced, cast. There’s only one proper, grown-up, looking adult (the versatile Jonathan Holby), who has a fleeting cameo, and he brings a dose of reality to the brutal adventure of the lost boys.