The Annual Art Contest Award Ceremony is TBA each year.

We are pleased to announce the premiere of Antony and the Johnsons "Swanlights" video directed and produced by Sara Hegarty. Footage is taken from her upcoming film "The Last Hymn" featuring Sierra Paris. Please click to see the video. has described the video as "gorgeous, highly impressionistic".

The artwork can range from realism to surrealism to abstraction.

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3-dimensional art is not an acceptable medium in this competition.

"Ex-Voto" paintings include three common elements:1) a scene depicting a tragedy or someone with a grave illness or injury, 2) a Saint or martyr that intervened to "save the day" and 3) an inscription describing the event.

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For this competition artists, worldwide, are encouraged to share their artistic vision and interpretation of natural scenery and the physical elements of landforms such as mountains, hills, valleys, deserts, farmland, trees, rivers, lakes, ponds, forests, wilderness, polar regions, rainforests, islands and tropical landscapes.

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Antony has a track called "Angel on Fire" on the Catching Fire Soundtrack which is out now on. It is a song that Antony wrote in 1992. The backing track for the song is partly comprised of 4track recording that Antony once used in club performances in NYC.

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Lou's last stage performance: Candy Says as a part of Laurie Anderson's Domaine Privé festival at Salle Playel in March. Musical director Steve Bernstein

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Sikkema Jenkins & Co. is pleased to present The Cut, a solo exhibition of work by Antony on view from May 31st through July 12th, 2013. Antony has created a body of work including drawing, collage, and sculpture alongside his critically acclaimed musical career as both a singer and composer. Both his music and visual art are marked by intuitive and accumulative practices that reflect a shared visual and psychological vocabulary. The initial inspiration that provided the framework for the exhibition was a poem written by the artist entitled The Cut, which describes the source of creation as a slit in the sky. The marks that the artist makes on the surface of his artwork can at once be understood as scars as well as applications that have the ability to heal the surface of the paper, fabric, or canvas. A delicate line can be juxtaposed with a harsh application of paint or a torn edge. Many of the works are intimate in scale and ephemeral in their materiality, but they are monumental in the emotional depth that they convey. Like Joseph Beuys, Antony's work originates in personal experience yet it also addresses universal artistic or social ideas and poetically suggests the healing potential of art. For further information please see .

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About the Atlantic Institute Art & Essay Contest

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Mane Gallery announces a call to artists for an online art exhibition, March 1-31, 2018.

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Lou was like a father to me. I have never felt so perceived and loved for who I actually am by a man than by Lou Reed. He fought tirelessly for me to have a place in the daylight culture. My career would never have taken off without Lou's tremendous influence. Those close to Lou knew him as a lion-hearted and intensely caring friend. When discussing death a couple of weeks ago, he told me that I was focussed on the wrong thing. His goal especially recently has been to exercise his mental discipline to stay in the present and not be held hostage by fear of an illusory future. He faced death with dignity and courage, and even then remained a teacher and mentor to me. i miss him with all my heart. It is hard for me to reconcile that such a giant could really be gone. Antony October 28th 2013