In Waltz with Bashir a documentary film Essay - 223 …
Waltz with bashir and memory essay ..
In this way, the film outright denies live action representation any more power than has animation to provide clear-cut answers, enforcing the idea that there is no inherent truth to live action "documentary" per se Overall, "Waltz With Bashir" explores the idea of documenting the struggle to cope with a factual event more than it does the actual event itself, commenting along the way on the power of animation to convey psychological realism, the precarious nature of seeking 'truth' through representation, and the increasingly levelled playing field emerging between live-action documentary and other modes of non-fiction representation.
On his commentary for Waltz with Bashir, ..
real" binary that playfully assigns the "real" component to animated footage 2.1: self reflexive commentary / criticism "Waltz With Bashir" actively participates in the dialogue it is formally entering as an animated 'actuality,' verbally raising the concerns implicit to its structure Asks the viewer to engage with the notion that the film is simultaneously depictive of real events, and unable to capture them --> Raises the question about whether or not this is an issue solely of animated documentary essentially, is an example of the growing inability to turn to any sort of "photography as a guarantee for truth" 2.3: entirely dramatized representation Above and beyond representing personal testimony and emotion through abstract animation, the film engages in highly stylized representations of Folman's "[personal] psychodrama" (e-joussour) in ways that primatize historically inaccurate representations of the Lebanon conflict, rife with perspectival anecdotes In doing so, the film problematizes the notion of a historical real as authoratative, pitting "collective narratives" in conflict with "personal" ones (el-Joussour), asking the viewer to question the idea of the "Real" as attainable Moreover, the film emerges through these moments as "mix of the expressive, poetic, and rhetorical" which characterizes a "shift [in documentary]...from the referential as...dominant" (Strom, 52) 2.4: the issue of allegory The film narrativizes Folman's search for truth, establishing a tension between his need to explore the self, and his need to look to others to do so; that is, it centralizes the idea of looking outwards as a means to looking inwards In this way, the film emerges as an allegory for the process of documentary filmmaking, and the way that it invariably twists and mutates reality.