professional essay on Seven Samurai

One of the biggest, most singularly influential movies ever made owes an open debt to Seven Samurai. So does Harry Potter and the Marvel movie universe, just for starters. Any heist movie, any quest movie, any movie that has a rag-tag gang of misfits getting together and somehow making a go at the big prize…they all got started watching this one.

Comparison of Seven Samurai and Magnificient Seven …

Comparison of The Seven Samurai and Magnificent Seven

This paper will be on the movie, Seven Samurai

Not that Seven Samurai was the first movie to figure out those ideas. It was just one of the most unique, made with incredible skill by a man born to stand behind a movie camera. It did so in a way that transcended cultural boundaries, telling a story set in a specific time and place that could be felt anywhere human beings ever lived.

Essay on The Origins of the Samurai and Bushido Codes

The results were an international sensation, which was pretty darn hard to do in the days when computers were physically bigger than your average apartment building. On our side of the Pacific, we learned a little bit more about how Japanese culture functioned. On his side, audiences got a good look at the individualism of the West and how it ran smack into the face of traditional Japanese values like duty and communal obligation. And by giving the Western a distinctly Asian vibe, he actually showed Hollywood filmmakers how to make movies like this. Seven Samurai set the bar for later fantasy-epic-sci-fi-comeoneverybodyjustgivethemallyourmoney blockbuster that followed.

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Finally, closing off the set, is a thick 56-page booklet featuring a number of essays. Kenneth Turan looks at the length of the film and use of its time, followed by Rayns who looks at the western influences found in the film and Kurosawa’s fondness of John Ford (right down to the sun glasses.) Philip Kemp writes about the Bushido and the Samurai code (covered also in the commentaries and documentaries found on the disc,) Peggy Chiao covers influences on Kurosawa ranging from books to art, and Alain Silver looks at the compositions found in the film. Stuart Galbraith IV then closes off the more analytical essays with a piece about the film’s popularity. Criterion then includes two short but excellent tributes by Arthur Penn and Sidney Lumet. The booklet then closes with a wonderful reprinting of an interview/conversation with Toshiro Mifune about how he got into acting, first working with Kurosawa, and then filming . An absolutely wonderful booklet.

Samurai Values: Jin (Benevolence) | koshersamurai

Toshiro Mifune had been working for seven years previous to , and he had already made six films with Kurosawa, while the duo made 16 films together until the lengthy process of making ended their relationship. Mifune finished 181 films before his death in 1997. Nonetheless, his performance here is the one for which he will forever be remembered. The harshest critics called him over the top and hammy, but with his character (who's introduced with his oversized sword, in what must be the 16th century equivalent of a middle aged man buying a sports car) it's quickly apparent that he's overcompensating for his inadequacies. Followed by children (Kurosawa makes this the most natural thing in the world), and loved by the men eventually, they know he's not a real samurai (at least not until the end). When it's revealed that he was orphaned as a baby and grew up a farmer, everything makes sense: his character longs for approval and acceptance, although he knows he doesn't deserve it. Mifune has an amazing fluidity to his body, as well as the gift to simply be on camera. Though is an ensemble film, and the group of actors is excellent, Mifune has a showcase of a role, a honey, and he relishes such a ripe opportunity.

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Great job! You did a good job highlighting how this is truly a unique film, for better or worse. I think we could stand more movies copying off Seven Samurai on a deeper level than the general plot.

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Seven Samurai borrowed from American movies, then American movies turned around and borrowed from it, producing not just the films we listed above, but movies like Star Wars, Bonnie and Clyde, The Guns of Navarone, The Dirty Dozen, The Road Warrior, Saving Private Ryan, Big Hero 6, and Marvel's The Avengers. (John Sturges, whom Kurosawa cited as a major influence in his filmmaking, had already returned the favor in 1960 by directing an American remake: The Magnificent Seven.)

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Kurosawa Seven Samurai Essay, What Is A Good Narrative Essay

After some unsuccessful attempts, the first man they truly want is Kambei (Takashi Shimura), who shaves off his hair (considered a point of pride among samurai) to save a young boy from a bandit. This rescue sequence also introduces Kikuchiyo (Mifune), and the younger Katsushiro (Isao Kimura), who immediately offers himself as an apprentice to Kambei. Reluctantly joining up, Kambei figures they need at least seven samurai to defend the village. To add to their numbers, he finds his old friend Schichiroji (Daisuke Kato) and recruits Gorobei (Yoshio Inaba), which leads to Heihachi (Minoru Chiaki), who's found cutting wood. The real find is Kyuzo (Seji Miyaguchi), who Kambei notes is a great warrior because he's "a man obsessed with testing his own skill." Kikuchiyo auditions, but he's tripped up — his scroll offering his samurai lineage is proved to be fake when it says that his age should be 13 (most of the Samurai, including Kikuchiyo, are illiterate). But the men head off, and Kikuchiyo decides to follow, only to be slowly accepted into the fold.