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Poems and history have coexisted since before writing began—as part of the remembering and passing down, from generation to generation, of oral histories. And today poets continue to explore people and events and retell those stories as poetry. shares her thoughts on five collections of poems with history.

Othello: Are Desdemona and Othello truly in love? essays

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See also the spelling in the 1599 edition of Romeo and Juliet:

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Seeing Birds in Church is a Kind of Adieu

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Zoe Bramley is the author of (Amberley Publishing, 2016).

8. To which poets do you return?

Lesley Wheeler narrates her tale in thirty-three 10-stanza cantos, every one crafted in the plaited terza rima form that is as seductive of the senses as ouma’s koeksusters. And, albeit in a different sort of way, just as sweet.

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A feminist spec-fic fantasy in which a dastardly college dean, who will quash the budget of any campus colleague rash enough to attempt a thwarting of his sexual predations, is served his just deserts. So too, after some little nudging from Yoda and the (re)discovery of her own powers, is the reluctant hero of the novella.

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You have to read The Receptionist once through to root the hero on, as you boo the villain; a second time just to savour the metaphors; and a third to marvel at the craft with which the poet finesses the form into the service of her content.

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An Elastic State of Mind: D.L.D.’s Autobiography in Poems

This narrative poem spins the old fairy tale celebrating the triumph of good over evil into an exploration of greed, the powers men exert over “their” women; of a young woman’s loss of innocence, coming of age and her ultimate subversion of imposed power.

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The Receptionist and other Tales

Kindred’s speculative poetry digs into the silences of JM Barrie’s Peter Pan, giving resistant voice to some of the characters. Tinker Bell wishes to be less dependent, less ephemeral—with more physical (and sexual) substance; Wendy Darling picks away at glossy idealisations of mother; Tiger Lily, the story’s “dusky Diana”, elects to shut, and walk firmly away from, the book that objectifies her as exotic beauty and allows her to say nothing at all.

3. How did your interest in poetry develop from there?

6. Do you only read poetry written by women? If so, why?

The work of this South African poet from the Eastern Cape appeared in online and print journals the world over before an indie UK publisher snagged her collection of fabulous women. Crafted with startling images and deft twirlings of language, they’re as diverse as a bruised wife who wears her “gore like an evening dress – / tanzanite, rubies, and blueberry pearls” and a feisty grandmother who “beats her demons into frothy submission / with a wooden spoon and broom, / and bakes them to keep watch at her gate / like good dogs.”