my summer english essay Emersons Essay

The two central lectures are devoted to , whose works, Emerson says, represent the whole range of human mind. possessed, to a greater degree than any other writer, the power of imagination, what Emerson defines as "the use which the Reason makes of the material world, for purposes of expression." Put another way, this means "Shakspear [] possesses the power of subordinating nature for the purpose of expression beyond all poets." Emerson also cites with approval 's definition of poetry as "thoughts that voluntary move harmonious numbers" to describe how "the sense of [his] verse determines its tune."

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This essay focuses on three major elements: the poet, the nature of the poem, and the reader.

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He seems to be suggesting with these lines that all men are capable of understanding metamorphosis, which is one of Emerson's major points.')" class="popup">If the imagination intoxicates the poet,it is not inactive in other men.

One part of nature Emerson mentions is the stars.

Emerson's poet is much more than a technician of meter, a person of "poetic talents." Emerson's poet "announces that which no man foretold. He is the true and only doctor; he knows and tells." Picking up the Miltonic definition of poetry he had endorsed earlier, Emerson says, in a famous phrase, "for it is not metres but a metre-making argument, that makes a poem." The essence of the poem lies not in the words but behind the words, in "a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing."

~Ralph Waldo EmersonNature's law is stronger than any little law you have made for yourself.
Tone, diction, and sentence structureEmerson's tone in this essay is informative and didactic.

A student of Emerson's essays will also want to study Emerson's ...

The longest essay in is "Poetry and Imagination." It is a fully developed piece, longer in fact than the 1836 book, , and important as the last major restatement and reaffirmation of Emerson's conception of the literary process as one of symbolizing. "A good symbol is the best argument," he writes and explains why. "The value of a trope is that the hearer is one; and indeed Nature itself is a vast trope, and all particular natures are tropes.... All thinking is analogising, and 'tis the use of life to learn metonomy." If we are symbols and nature is symbol, then what is the reality behind or sustaining the symbols? Emerson's reply is "process." "The endless passing of one element into new forms, the incessant metamorphosis, explains the rank which the imagination holds in our catalogue of mental powers. The imagination is the reader of these [symbolic] forms. The poet accounts all productions and changes of Nature as the nouns of language, uses them representatively." The result is that "every new object so seen gives a shock of agreeable surprise." "Poetry," Emerson concludes, "is the only verity.... As a power, it is the perception of the symbolic character of things, and the treating them as representative," and he quotes to the same end.

First, Ralph Waldo Emerson promoted his ideas on the importance of nature and self-reliance.

Transcendentalists Ralph Waldo Emerson Works Essays.

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The preparation of these pages was influenced to some degree by a particular "Philosophy of History" as suggested by this quote from the famous Essay "History" by Ralph Waldo Emerson:-



"Metamorphic Imagery in Emerson's Later Essays." 31 (Summer 1976): sup.

Ralph Waldo Emerson: Nature (essay) - Pictures, News …

As the story in our high-school anthology went, the citizenry that the Bard of Concord met on his strolls through the town green in the 1830s were still cowed by the sermons of their Puritan forefathers — we had read Jonathan Edwards’s “” to get a taste — prone to awe when it came to the literature of distant foreign empires and too complacent on the biggest moral issues of the day: the institution of slavery and the genocide of the Indians. (At least Emerson saw well enough with his transparent eye to criticize both.) The country had every bit of God-given energy and talent and latent conviction that it needed to produce genius, he believed, but too much kowtowing to society and the approval of elders had tamed his fellows of their natural gifts (the “aboriginal Self,” he called it) and sapped them of their courage.