is a literary term that refers to an exaggeration. Examples are:

PARNASSIAN POETS: An aestheticist, mid-19th-century, Russian and French school of poets that advocated art for its own sake and emphasized sensual and vivid imagery divorced from emotional content (Harkins 275). The term "Parnassian" refers to Mount Parnassus in Greece. The toponymic name alludes to the way they often adopted themes from classical Greek mythology and philosophy (275).

Of a skyscraper so tall they had to put hinges

On the two top stories so to let the moon go by - Yarns of the People by Carl Sandburg

Round the bright air with footing true,

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To please the child, to paint the rose,

As these sample questions demonstrate, the Athenian Mercury was focused on the social and cultural concerns of individuals. These subjects tapped into the reading public’s desire for knowledge, instructive information, and for something new and as a result, the Athenian Mercury was a huge success. (Hunter 14-15) Several features of the Athenian Mercury, such as its epistolary format and its creation of a fictional club, would be continued by another influential periodical published during the eighteenth century, Daniel Defoe’s The Review. (DeMaria 529-531)

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And squeak goes the rat. - Animals by Mother Goose

PANTUN: A verse form from Malaysia. The pantun is a poem of no specific length, composed of quatrains using internal assonance. The rhymes are interlinked much like in the sense that the second and fourth lines of each stanza become the first and third lines of the following stanza. In the last quatrain, the first line of the poem appears again as the last, and the third line as the second, forming a "circle" for closure. (Alternatively, the poet may end the work with a simple couplet). Ernest Fouinet introduced the genre to French literature in the 1800s. Victor Hugo, Baudelaire, and Leconte de Lisle later also experimented with it in French verse. Although rare in English poetry, Austin Dobson used it in his work, In Town.

Pop mops slop! - Song of the Pop-Bottlers by Morris Bishop

PARABASIS (Greek, "stepping forward" or "going aside"): A moment at the end of a Greek tragedy in which the chorus would remove their masks and step forward to address the audience directly in speech rather than song. The parabasis usually contained the final thoughts or opinions of the playwright on some matter of government, theology, or philosophy. The concluding words of the chorus in Sophocles' Oedipus Rex serve as one example.

Metaphor is a literary term for comparing two things directly. Examples are:

Let the rain beat upon your head with silver liquid drops

A website developed at the University of Massachusetts to facilitate the teaching of courses on the cultural, political and literary history of London, with a grant from the the University of Massachusetts System Office, through the Information Technology Council's Subcommittee on Academic Technology, and in collaboration with the Research Center for Urban Cultural History of the University of Massachusetts Boston, the Massachusetts Center for Renaissance Studies at the University of Massachusetts Amherst and the Five College Early Music Program.

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The rain makes still pools on the sidewalk

PHOBOS (Grk, "fear"): The emotional purgation of negative feelings known as catharsis involved, according to Aristotle's Poetics, two emotions: eleos (pity) and phobos (fear). If the audience did not feel pity for the tragic hero in a play, or feel fear at his downfall, the play failed in its purpose. See discussion under .

The gardener of the World, he goes. - Summer Sun by Robert Louis Stevenson

The rain plays a little sleep song on our roof at night

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