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Rachel Kolb is a Rhodes scholar and a doctoral student at Emory University focusing on American literature, deaf and disability studies, and bioethics.

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In writing a music essay, there are a lot of factors that you can take a look into. One of these is the musical artist. The artist is the most visible (or conversely, the most audible) element of any musical piece. Without the artist, it would be hard to lend context to any musical composition, especially since something as ephemeral as music does not just merely spring out of nowhere. Note that music has got to come from somewhere.

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Musically, I really couldn't be more proud of this record. I think that this album sonically sounds more like the music I listen to than anything else I’ve ever done in the past. I love the music I have made before, but it was funny to me that I would go play huge EDM festivals and then I’d go onto my tour bus and get out my record player and put on Iggy Pop, Rolling Stones, Beach Boys, T Rex, Dolly Parton, James Brown, Beatles, The Sweet; any of those records. They all couldn't be more different sonically from what I was doing, even though the same wild spirit was there.

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I realized that for most of my life I was intimidated to even try and run in the leagues of the people I look up to. With "Woman," I hope my fans will hear that wild spirit still strong inside me but this time it was created more raw, spontaneously and with all live instrumentation, which I found was a huge reason I loved the records I did love. There were one or two or 12 different people playing real instruments together, and all that real human energy is exciting and very fun to listen to. I wanted this song to capture that organic, raw, soulful sound and keep the imperfect moments in the recordings because I find the magic in the imperfections.

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If music be the food of love, so says Shakespeare, then play on.

Come along on a musical adventure with Music Librarian Farah Mohammed with special guest accordionist extraordinaire, Sergiu Popa, and discover all kinds of Gypsy music from Eastern  Europe and beyond!

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When I turned 29, all of a sudden out of nowhere I got this feeling that I wanted to write a novel — that I could do it. I couldn’t write anything that measured up to Dostoyevsky or Balzac, of course, but I told myself it didn’t matter. I didn’t have to become a literary giant. Still, I had no idea how to go about writing a novel or what to write about. I had absolutely no experience, after all, and no ready-made style at my disposal. I didn’t know anyone who could teach me how to do it, or even friends I could talk with about literature. My only thought at that point was how wonderful it would be if I could write like playing an instrument.