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Also out of the Fairview band came new musical approaches that redefined the brass band tradition and greatly expanded its audience. Anthony “Tuba Fats” Lacen helped establish the tuba as the defining instrument, performing for tips in Jackson Square and in community parades with the Chosen Few Brass Band. Most significantly, four musicians who had played in the Fairview and Hurricane bands—Gregory Davis, Charles Joseph, Kirk Joseph, and Kevin Harris—joined with Roger Lewis, Ephram Townes, Benny Jones, and others to form the .

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Acid Brass – A Musical Excursion of the Fairey Band

While developed into an American art form, brass band music remained closely tied to the rhythms of everyday life in New Orleans. The , the city’s most emblematic sacred tradition, revolves around the beat of the brass band, beginning with slow dirges and ending with up-tempo dance songs as the spirit was “cut loose.” In , community organizations called Social Aid and Pleasure Clubs hire brass bands and parade through their neighborhoods for miles each Sunday afternoon. Over the years, the music and dancing at funerals and parades have been continuously updated in terms of tempo, style, and repertoire, allowing these traditions to remain vital to each new generation of New Orleanians.

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By the late 1960s, worry arose among musicians about the future of the brass band tradition. Many young instrumentalists attuned to the politics and aesthetics of the black power movement were playing funk and soul music exclusively. As result, musician and scholar Danny Barker formed the Fairview Baptist Church Christian Marching Band specifically to recruit young players and indoctrinate them into the tradition. The Fairview band (and its later incarnation as the Hurricane Brass Band) sparked a revival of traditional brass band music and became a training ground for numerous musicians. Clarinetist Michael White’s Liberty Jazz Band and trumpeter Gregg Stafford’s Original Tuxedo Brass Band are but two examples of Fairview alumni maintaining successful careers as traditionalists.

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Columbia Theatre Interim Director Roy Blackwood said the Hot 8 Brass Band plays the traditional Second Line parades, hosted each Sunday afternoon by Social Aid and Pleasures Clubs, infusing their performances with the funk and energy that makes New Orleans music loved around the world.

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Previously used as a Championship Section Testpiece

Since in 2005, the New Orleans brass band has only grown in stature. In the space of a few years, the Hot 8 Brass Band has gone from playing strictly parties, parades, and club gigs to performing regularly in Europe and across America. New bands made up of students, such as the Baby Boyz Brass Band, whose members attend McDonogh 35 High School, now point to Rebirth and the Hot 8 as their mentors. The tradition has thrived, in part, because it continues to express the experiences of new generations without ever losing its identity as a distinctive and durable form of local music.

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2017-08-07 · Essay Notes

This feeling of adventure and mystery has been captured in this original work set in three short movements.

Flexible Junior Brass Band Series
This series allows the maximum in flexibility for developing brass musicians in the British Brass Band tradition.

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White, Michael. “The New Orleans Brass Band: A Cultural Tradition.” In The Triumph of the Soul: Cultural and Psychological Aspects of African American Music, edited by Ferdinand Jones and Arthur C. Jones, 69-96. Westport, CT: Praeger, 2001.