"The Poet" is an essay by U.S

The main purpose of is to recover for the present generation the direct and immediate relationship with the world that our ancestors had. "Why should not we also enjoy an original relation to the universe?," Emerson asks, with emphasis on the word "also." He goes on to inquire, "Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?" He had already discussed the poetry of tradition in his English lecture series. is an inquiry into the conditions necessary for a modern literature of insight.

from “The Poet” by Ralph Waldo Emerson | Poetry Foundation

Towards the closing of the sixteenth century, however, the emerging of the female poet took place.

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From December 1836 to March 1837 Emerson gave his first series of independent lectures, the first that is, that he designed himself and gave under his own auspices. It was called the Philosophy of History, and it was a very important series for Emerson, since out of it evolved the great essays on "History" and "Self Reliance" that he would publish in his first volume of in 1841. There is also a lecture on "Literature" in the Philosophy of History series, given in January 1837. The general theme of the series is stated in the introductory lecture: "We arrive early at the great discovery that there is one Mind common to all individual men; that what is individual is less than what is universal; that those properties by which you are man are more radical than those by which you are Adam or John; than the individual, nothing is less; than the universal, nothing is greater; that error, vice, and disease have their seat in the superficial or individual nature; that the common nature is whole." Literature, then, is the written record of this mind, and in one important sense literature is always showing us only ourselves. This lecture contains Emerson's most extreme--and least fruitful--statement of his idealist conception of literature. He contrasts art with literature, explaining that while "Art delights in carrying a thought into action, Literature is the conversion of action into thought." In other words, "Literature idealizes action." In an abstract sense this may be so, but Emerson is generally at his best when he sees literature moving us toward action, not away from it. In another place this lecture has a very valuable comment on how literature is able to reach into our unconscious. "Whoever separates for us a truth from our unconscious reason, and makes it an object of consciousness, ... must of course be to us a great man." And there is also a rather uncharacteristic recognition of what Gustav Flaubert would call . "The laws of composition are as strict as those of sculpture and architecture. There is always one line that ought to be chosen, one proportion that should be kept, and every other line or proportion is wrong.... So, in writing, there is always a right word, and every other than that is wrong."

The Poet Whom Emerson Describes | Transcendentalism

The essay makes one more important literary point. Emerson takes it as a welcome sign of the times that "instead of the sublime and beautiful, the near, the low, the common" was being explored and made into poetry. "I embrace the common," he says. "I explore and sit at the feet of the familiar, the low .... the meal in the firkin, the milk in the pan." Like Wordsworth's call for a language of common men, this recognition of Emerson's went further than his own practice could usually follow. But Emerson's endorsement of common language had a powerful effect on the rising generation of young American writers, first on and , then on and others.

In this essay, Emerson states his values and incorporates them into his philosophy of self-reliance....
These values included nature, individualism, and reform, and can be noted in the essay “Self Reliance,” by Ralph Waldo Emerson.

Emerson served as Class Poet; ..

Emerson wrote several lectures on other great English authors. He devotes an entire lecture to Francis Bacon, whom he admired for his efforts "to expound the method by which a true History of Nature should be formed." Bacon's achievement gave him, said Emerson, "a new courage and confidence in the powers of man at the sight of so great works done under such great disadvantages by one scholar." Bacon's great aim, like Emerson's, was to "make man's mind a match for the nature of things," and Bacon believed, as did Emerson, that we only "command Nature by obeying her." Another lecture was devoted to , , , and . Nothing Jonson's learned and intellectual style as a complement to its era, Emerson observes that "his writings presuppose a great intellectual activity in the audience." Herrick's superb command of language moved Emerson both to admire the poet and to articulate his distrust of language considered as an end in itself. He insisted that words stand for things and that things are what matter. "Rem tene, verba sequntur" [Hold fast to things, words will follow], Cato had observed. Emerson now noted "a proposition set down in words is not therefore affirmed. It must affirm itself or no propriety and no vehemence of language will give it evidence."

Emerson’s essays in Self-Reliance and Other Essays published in 1993 were about America’s independence and his writing.

from “The Poet ” By Ralph Waldo ..

's great subject, says Emerson, is not so much the fall of man as liberty. The English poet advocated civil, ecclesiastical, literary, and domestic liberty. He opposed slavery, denied predestination, argued for freedom of the press, and favored the principle of divorce. 's writings are valuable not as literary artifacts, Emerson argues, but as pathways to the man. Emerson insists on linking the person and the writing. 's poems, like his prose, reflect the "opinions, the feelings, even the incidents of the poet's life." In general Emerson rates 's prose at least as high as his poetry, and he boldly redefines 's prose poetry in an important critical statement. "Of his prose in general, not the style alone, but the argument also, is poetic; according to Lord Bacon's definition of poetry, following that of , 'Poetry, not finding the actual world exactly conformed to its idea of good and fair, seeks to accommodate the shows of things to the desires of the mind, and to create an ideal world better than the world of experience.'"

Without transcendentalism and Ralph Waldo Emerson, there wouldn't be many great works of poetry today such as: Brahma, Concord Hymn, and Each and All.

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There is more in the essay on the origin of words. "The etymologist finds the deadest word to have been once a brilliant picture," Emerson says, in a passage that was noted by Richard Trench, the English author who first suggested the idea of the . "Language is fossil poetry," Emerson explains, saying that "Language is made up of images, or tropes, which now, in their secondary use, have long ceased to remind us of their poetic origin." Coleridge had linked genius to organic form, saying genius was the mind's "power of acting creatively under laws of its own origination." Emerson now links genius with the revival and renewal of language. "Genius is the activity which repairs the decays of things," he says, and the epigrammatic force of his own language pushes back against entropy itself.