Modernism, Cinema, Adolescence: Another History for Teen …
Thomas Schatz | American Cinema: 1960-Present
articles on the serials of Louis Feuillade, focusing on "Judex"; the 1992 Pordenone retrospective of ?clair films; reviews of "Les frères corses" and "La chute de la maison Usher"; notes on the fiction of Louis Delluc and René Clair, with a review essay on L.D.'s 'Ecrits cinématographiques'.
A list of available books about Korean cinema ..
It is clear that "[m]ost of Hollywood's efforts during the war centered around doing what it did best--entertaining people . . . " making money and promoting its own interests. In other words, Hollywood exploited the war for its own financial and ideological gain. The Hollywood PR machine, as represented in the writing of Lester Friedman, however, would like for us to believe that the Hollywood " . . . filmmakers added the element of ideological persuasion." According to this self-serving and revisionist view, Hollywood films of the period " . . . not only celebrated democratic virtues and goals for those at home and in allied countries, but they became two-hour furloughs for servicemen, powerful cinematic images depicting just what they were fighting to defend . . . " Again, according to Friedman, "[w]hat emerged from the war years was an acknowledgment of Hollywood's power and influence, forcing industry members and outsiders alike into an even greater awareness of film's impact on society." Of course, this is the same impact on society that many film industry leaders of today would choose to deny (i.e., today, they are claiming that movies do not influence human behavior).