Best American Essays | Under The Sun Online

This catalogue showcases the work of Chippewa artist George Morrison (1919–2000), who was born and raised near the Grand Portage Indian Reservation in Minnesota. Best known for his landscape paintings and wood collages, Morrison employed a variety of media—paint, wood, ink and metal, paper, and canvas—and developed a unique style that combined elements of cubism, surrealism, and abstract expressionism. His artwork typically does not include overt references to his Indian heritage, which stirs debate about what it means to be a Native American artist. This title explores the artist’s identity as a modernist within the broader context of twentieth-century American and Native American art.

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This blog features The Best American Essays Series from Houghton Mifflin Harcourt

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Kay WalkingStick: An American Artist is the first major retrospective of the artistic career of Kay WalkingStick (b. 1935), a citizen of the Cherokee Nation. Lavishly illustrated with more than 200 of her most notable paintings, drawings, small sculptures, notebooks, and the diptychs for which she is best known, the book includes essays by leading scholars, historians, and the artist herself, arranged chronologically to guide readers through WalkingStick’s life journey and rich artistic career. Kay WalkingStick: An American Artist traces a path of constant invention, innovation, and evolving artistic and personal growth through visually brilliant and evocative works of art.

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In this book, which grew out of a landmark NMAI symposium in 1995, Native and non-Native scholars and museum professionals explore issues concerning the representation of Indians and their cultures by museums in North America. Traditional museum exhibitions of Native American art and culture often represented only the past, ignoring the living Native voice. Today, museums have begun to incorporate the Native perspective in their displays. Even more dramatic is the increasing number of Indian-run museums. These essays explore the relationships being forged between museums and Native communities to create new techniques for presenting Native American culture.

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