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premiered in the troubled Berlin of 1928, steeped in economic crisis and political turmoil. In 1933 Brecht and Weill both fled Nazi Germany. Their work, political views or religious ethnicity put had them in danger. By then The had been translated into eighteen languages and performed more than 10,000 times on European stages.

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Broomberg and Chanarin’s War Primer 2

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Bertolt Brecht, Kriegsfibel, 1955

A ‘secondary target’ is the one against which weapons are directed when the main fire mission in a military operation has been accomplished, or when it has become impossible or impracticable for the gun or battery to carry out such a mission. A notorious example is the US military’s spraying of Agent Orange on Laos and Cambodia after troops had completed sorties in Vietnam with surpluses of the herbicide to spare. This paper critiques War Primer 2, a book by the artist duo Adam Broomberg and Oliver Chanarin, a response to, and intervention into, Bertolt Brecht’s 1955 photo-book War Primer. My argument is that War Primer 2 puts into practice certain aspects of Brechtian theory that are not fully present in the original work.

Andy Warhol, ‘Kiss’, 50 minutes, 1963

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The characters are amoral. They feel free to act for their own advantage, have no scruples and rarely tell it ‘how it is’. They duck and dive for self-gain at every opportunity. They betray, threaten, cheat and bully their fellow citizens in the underbelly of city life – a stark contrast to the apparent sunlit world above. Their world is one that constantly holds a mirror to our own time, be it in banking, political peccadilloes, police corruption, fraud or civil unrest.

one of the most prominent figures in the 20th-century theatre, Bertolt Brecht (Eugen Berthold Friedrich Brecht) was born in Augsburg, Bavaria on February 10, 1898.

Three Poems by Bertolt Brecht | memengineering

is a work whose themes speak to our contemporary world. Bertolt Brecht’s secretary is said to have come across the book for John Gay’s and translated it in sections as she passed it to the playwright. He quickly saw the satirical relevance to his own society in the Weimar Republic and made it his own. Realising that it was not possible to use the original 18th century music of John Pepusch, Brecht asked Kurt Weill to write the score. Weill’s future wife, Lotte Lenya (forever connected to the work), was in the original cast. After the dress rehearsal, rumour spread that the premier would be a disaster and the public flocked to the theatre to enjoy the expected fiasco. The company regrouped, however, on the day of the opening night (having had almost no sleep) and the show was a huge success.

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The Threepenny Opera - Wikipedia