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Born in Richton, Mississippi in 1948, Frank Stanford was adopted by a single mother into a upper middle-class Memphis family. The family moved to Mountain Home, Arkansas, in the early 1960s, and Stanford later attended but did not graduate from the University of Arkansas. In 1976 he founded Lost Roads Publishers, later taken over by C. D. Wright, with whom he lived the last few years of his life. Years of hard living got mixed together with a ferocious writing pace that would carve a new identity in American poetry. If identity can be said to be the subject of all American poetry, then Stanford, like his generational peer Bob Dylan (with whom he shares both gumption and a post-Beat strut) fashioned a fresh American myth out of the geographies of his imagination. Had he lived — he committed suicide by shooting himself three times in the chest a month before his 30th birthday in 1978 in Fayetteville, Arkansas — this year he would’ve turned 68.
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SparkNotes: As I Lay Dying: Quiz
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SparkNotes: As I Lay Dying: Sections 34–39
That passage footnotes rather than renders its narrative situation.“I don’t believe in tame poetry,” Stanford once said, “Poetry busts guts.” And so here is an American poetry that is wide-open to the flood of the imagination, always young, always renewing itself, and always ready for renewal.